The intention of the collection "Princesas / Annas" is to reach an introspective reflection on how the current Beauty, adhered to some canons and perceived by the community as an end, stands as a fierce means capable of taking the subject to scandalously self-destructive stages that society still does not know how to manage today.
Kharma Estrany allows his work to permeate a category that goes beyond the concept of the Beautiful: the Sublime turned into the Sinister. The artist dares to penetrate the unconditional veil of order to make the underlying disorder shine. His sculptures absorb the attentive gaze of the viewer who deliberates between the pain that emanates from them and the pleasure he experiences when thinking of them as an object of aesthetic value. This inner conflict to which he is exposed is close to the discomfort that one feels when faced with something that is familiar to him but that at the same time contains a load of disconcerting elements and that Freud called Unheimlich.
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kharmaestrany
The intention of the collection "Princesas / Annas" is to reach an introspective reflection on how the current Beauty, adhered to some canons and perceived by the community as an end, stands as a fierce means capable of taking the subject to scandalously self-destructive stages that society still does not know how to manage today.
Kharma Estrany allows his work to permeate a category that goes beyond the concept of the Beautiful: the Sublime turned into the Sinister. The artist dares to penetrate the unconditional veil of order to make the underlying disorder shine. His sculptures absorb the attentive gaze of the viewer who deliberates between the pain that emanates from them and the pleasure he experiences when thinking of them as an object of aesthetic value. This inner conflict to which he is exposed is close to the discomfort that one feels when faced with something that is familiar to him but that at the same time contains a load of disconcerting elements and that Freud called Unheimlich.
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