Bueno, este es el proyecto que he podido hacer. He disfrutado mucho con el curso. Ha sido muy interesante, tambien poder organizar las viñetas y desarrollar el guion. Se que puedo hacerlo mejor, tengo que comentar mi primera toma de contacto con tableta...
It is very good overall, and I hope that first contact with the tablet has been promising.
Narrative development is ok. You have raised it in a few shots, so it is a decision that proposes to load the visual tension in the acting of the actors. You have also discovered the blood on Jane's face from the first moment after the fall, so you do not play with the surprise effect with the viewer. These are important decisions, which mark the type of profile of a director or a style of narration. I say this, above all, so that it is understood that when we decide to do one thing or another, those decisions transcend the mere framing of the vignette in the process of construction of an audiovisual project.
As for the markings that we have proposed to include in the scene, the one that I miss is the axis change. It is one of the ones that seemed most important to me, since it is one of the most difficult to manage and requires planning the entire scene before drawing it.
Regarding Billie's subjective shot, remember that it is advisable (not necessary) to have a short shot of the character that we will use as a subjective camera, before or after that shot, to mark the intention. Subjective cameras link the character and the viewer in an emotional or informative sense (when we see the scene through the hunter's telescopic sight, it is not only because visually it may seem interesting, but also because we are marking that the hunter is witnessing that precise moment and react in some way to it).
As I said, you have raised a good job. And I am very glad that you enjoyed the course.
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pabloburatti
Teacher PlusHi Alex.
Thanks for uploading your final project.
It is very good overall, and I hope that first contact with the tablet has been promising.
Narrative development is ok. You have raised it in a few shots, so it is a decision that proposes to load the visual tension in the acting of the actors. You have also discovered the blood on Jane's face from the first moment after the fall, so you do not play with the surprise effect with the viewer. These are important decisions, which mark the type of profile of a director or a style of narration. I say this, above all, so that it is understood that when we decide to do one thing or another, those decisions transcend the mere framing of the vignette in the process of construction of an audiovisual project.
As for the markings that we have proposed to include in the scene, the one that I miss is the axis change. It is one of the ones that seemed most important to me, since it is one of the most difficult to manage and requires planning the entire scene before drawing it.
Regarding Billie's subjective shot, remember that it is advisable (not necessary) to have a short shot of the character that we will use as a subjective camera, before or after that shot, to mark the intention. Subjective cameras link the character and the viewer in an emotional or informative sense (when we see the scene through the hunter's telescopic sight, it is not only because visually it may seem interesting, but also because we are marking that the hunter is witnessing that precise moment and react in some way to it).
As I said, you have raised a good job. And I am very glad that you enjoyed the course.
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