Studio Ghibli fans are still pondering the meaning of Hayao Miyazaki’s The Boy and the Heron, which came out last year. Though by some measure the studio’s most lavish feature yet — not least by the measure of it being the most expensive film yet produced in Japan — it’s also the one least amenable to simple interpretation.
Es una propuesta de cubierta para el libro ''El hombre que plantaba árboles'' en la que se exigía el uso de técnicas tradicionales para la creación de la imagen, aunque posteriormente se retocase digitalmente color y textos.
0 comments
Log in or join for Free to comment