Tree on Cambie Street in Afternoon Light
by Heather Souliere @heathersouliere
- 567
- 54
- 4
(Automatically translated from Spanish) Show original
I'd like to share with you my process for my drawing "Tree on Cambie Street in Afternoon Light".
There's a tree that I've seen many times that happened to be in really nice lighting one day, so I took several pictures of it so that I could make a drawing.
I'd like to share with you my process for my drawing "Tree on Cambie Street in Afternoon Light".
There's a tree that I've seen many times that happened to be in really nice lighting one day, so I took several pictures of it so that I could make a drawing.
I picked the one with the composition I liked best and then started my drawing. I kept the initial sketch pretty loose, no details, just an indication of the overall shapes.
Then I started the lines. I jumped around quite a bit, being careful about which leaves and branches needed to be ahead of or behind each other. I also made sure to keep the areas with the most detail in the areas that appear closer, and made the background far less detailed.
I picked the one with the composition I liked best and then started my drawing. I kept the initial sketch pretty loose, no details, just an indication of the overall shapes.
Then I started the lines. I jumped around quite a bit, being careful about which leaves and branches needed to be ahead of or behind each other. I also made sure to keep the areas with the most detail in the areas that appear closer, and made the background far less detailed.
Once the lines were done I added in my first light ink washes. I made them a little darker than I normally would because I really wanted to make sure I was creating a strong blueprint for myself of where I wanted to add my darker shadows later on.
Once the lines were done I added in my first light ink washes. I made them a little darker than I normally would because I really wanted to make sure I was creating a strong blueprint for myself of where I wanted to add my darker shadows later on.
Once I started adding in the darker ink washes the piece started to really fall into place. I kept layering and layering my ink washes to build up a sense of depth and lighting.
Once I started adding in the darker ink washes the piece started to really fall into place. I kept layering and layering my ink washes to build up a sense of depth and lighting.
Finally, once the darkest ink washes were added it all came together nicely. I'm not sure how many ink washes I added in the end, but I feel like I got a really nice sense of depth in this piece.
I hope this inspires you to go out and draw and try out ink washes! They are fantastic for making monochromatic illustrations, value studies, and light studies.
Finally, once the darkest ink washes were added it all came together nicely. I'm not sure how many ink washes I added in the end, but I feel like I got a really nice sense of depth in this piece.
I hope this inspires you to go out and draw and try out ink washes! They are fantastic for making monochromatic illustrations, value studies, and light studies.
4 comments
miguelon
Staff PlusIncredible work. Heather!!!
Thank you very much for sharing the process.
Congratulations (͡~ ͜ʖ ͡°)
kimrberly13
I read your article, it was really great. Thank you for taking the time to share this. Also, I would like to introduce that's not my neighbor to you on my site. It's a great game that many people highly recommend. Try it now!
heathersouliere
Teacher Plus@kimrberly13 Thanks for liking my article! :D
heathersouliere
Teacher Plus@miguelon Thank you so much Miguel!!! :D
Log in or join for Free to comment