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    Experiment with altered photography: paint, cut out, and reimagine your images
    Latest blog post

    Experiment with altered photography: paint, cut out, and reimagine your images

    A photograph can also be a starting point When we take a photograph, we tend to think that the process ends when we press the shutter button or, at most, after a little digital editing. However, an image can also be the beginning of a new creation. All it takes is printing it out and viewing it as a blank canvas to discover that it still has much to say. Altered photography invites us to change that perspective. Painting over an image, cutting it out, embroidering it, or combining it with other materials allows us to break away from the idea of photography as an untouchable object and turn it into a space for experimentation. Every stroke adds a new layer of meaning and transforms an everyday scene into a unique work of art. You don’t need to be a professional photographer or a master painter to get started. Often, the simplest interventions produce the most surprising results. In this article, you’ll discover what altered photography is, what materials you’ll need, and what techniques you can try to develop your own visual language.

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https://www.academyeverywhere.com/courses/in-person-painting-the-human-figure-all-day-session-spring

by Dan Thompson @danthompsonart

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Cover image: https://www.academyeverywhere.com/courses/in-person-painting-the-human-figure-all-day-session-spring
Cover image: https://www.academyeverywhere.com/courses/in-person-painting-the-human-figure-all-day-session-spring
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A project by
Dan Thompson danthompsonart
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  • https://www.academyeverywhere.com/courses/in-person-painting-the-human-figure-all-day-session-spring
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Graphite Drawing Techniques for Planar Portraiture. Illustration course by Dan Thompson
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Graphite Drawing Techniques for Planar Portraiture

A course by Dan Thompson

Learn how to use structural forms with multiple planes to create experimental pencil portraits from observation of the human figure

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