Studio Ghibli fans are still pondering the meaning of Hayao Miyazaki’s The Boy and the Heron, which came out last year. Though by some measure the studio’s most lavish feature yet — not least by the measure of it being the most expensive film yet produced in Japan — it’s also the one least amenable to simple interpretation.
@mariza
Navalcarnero, Spain
A course by Miriam Alía
Architecture, and Spaces
A course by Ana Santos
Illustration
