Advanced Techniques for Vectorial Illustration

Lighting sources for the scene of our Mecha-Kaiju - Part II

A course by Rafahu , Creative Director, Illustrator, and Animator

Learn to use effects for lighting, color, and texture to bring your illustrations to the next level

Spanish with subtitles in English
99% positive reviews (356)
5577 students

About the video: Lighting sources for the scene of our Mecha-Kaiju - Part II

Overview

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In this video lesson Rafahu addresses the topic: Lighting sources for the scene of our Mecha-Kaiju - Part II, which is part of the Domestika online course: Advanced Techniques for Vectorial Illustration. Learn to use effects for lighting, color, and texture to bring your illustrations to the next level.

Partial transcription of the video

“[Music] Now I'm going to put more lights on the arm W. We're going to take this fill and we're going to paste on our light layer, send Contours, delete Paths that do not serve us, which are these. [Music] And we're already having more lighting. We go with arm X and same procedure. [Music] What else do we need? This part of the lip. It's still a Stroke so let's choose the pink as the brightness, we turn it into filling, we take a sample of our color, we duplicate this shape, we're going to put it Pickers blue, we move the brightness of this side, the blue. Let's take the base form again, con...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Advanced Techniques for Vectorial Illustration

Level: Advanced
99% positive reviews (356)
5577 students
4 units
25 lessons (3h 40m)
8 downloads

Category
Illustration
Software
Adobe Illustrator, Adobe Photoshop
Areas
Character Design, Design, Digital Illustration

Rafahu

A course by Rafahu

Teacher Plus

Creative Director, Illustrator, and Animator

Rafahu is an art director, illustrator, and animator based in Mexico. He has worked in internationally renowned agencies such as Grupo W, Element Studios, and Leo Burnett for brands such as Rexona, Jose Cuervo, Random House, and Nike, among others, obtaining international recognition at Cannes Lions, El Sol, and The One Show.

In addition to his career as an art director, he fulfills his passion for illustration by developing personal projects. He also collaborates on publications such as Picnic, Quo, and La Peste and holds exhibitions throughout Mexico, such as Puro Machín, The End, and 5 Diablos en la ciudad.

Although he really likes digital illustration, he does not minimize the importance of traditional techniques. Another one of his biggest passions is animation, which he has combined with illustration for projects like Nodoodles and The Psychotoons, among others.

He has always considered himself a huge geek and fan of anime, comics, horror literature, B movies, and fantasy. "I think we should look for inspiration not only in design, but in everything that surrounds us. A Lovecraft horror story can be a great source of inspiration and paranoia," he admits. He wants his illustrations to tell a story. He likes to think that they are real worlds full of details and meanings that can be revealed upon a second reading.

Spanish with subtitles in English