Illustration

Uemura Shōen: The Inspiring Story of Japan's First Female Professional Painter

Discover the work of the woman who broke down barriers and became one of Japan's most recognized artists

A mold-breaking artist and outstanding painter who became famous within her lifetime, Uemura Shōen broke down barriers imposed on women in contemporary Japan.

She won international awards and accolades, defied social norms as a single mother of two, and dived into the world of professional painting at a time when women weren’t welcome. This is the inspiring story of the Japanese painter who rose to fame and took her country's art scene by storm.

The artist at work.
The artist at work.

Early beginnings

Uemura Shōen was born in 1875 in Shimogyō-ku (Kyoto). From an early age, her mother supported Shōen and encouraged her to pursue her dreams of becoming a professional painter. The artist once said, "As well as giving birth to me, my mother gave birth to my art."

Shōen attended Kyoto Prefectural School of Painting at the age of 12, where she learned Japanese art techniques from Suzuki Shōnen, a master in landscape painting.

'Daughter Miyuki' (1914).
'Daughter Miyuki' (1914).

Inspired by the art of ukiyo-e (Japanese woodblock printmaking) the painter started to develop her own style and began gaining recognition for her work. At the age of fifteen, the artist was already participating in exhibitions.

Uemura Shōen won her first local prize in 1898 and her first national prize in 1900. But one event really put her on the map: Queen Victoria's son, the Duke of Connaught, purchased her painting The Beauty of Four Seasons during one of his trips to Japan.

'Blind man game'.
'Blind man game'.
'Flames' (1918)
'Flames' (1918)

Uemura Shōen and her female subjects

Shōen is best known for her paintings of beautiful women, or Bijin-ga, a genre that captured what, at the time, was considered the perfect ideal of beauty.

She adhered to the Nihonga style, literally translated as Japanese-style painting and referring to paintings that conformed to traditional Japanese artistic practices. This term was adopted during the Meiji period to differentiate Western- and Yōga-style art.

'Preparing for dance' (1914).
'Preparing for dance' (1914).
'Snowflakes' (1944).
'Snowflakes' (1944).

Most of Shōen’s paintings feature a central figure against a neutral background and are adorned with realistic details and defined lines. Shōen emphasized the details of the costumes to create breathtaking compositions.

Her work also referenced traditional Nō theater. Although at the time, female characters were played by men, the artist took the liberty to introduce women into this traditional theater scene.

Nō Dance Prelude (1936).
Nō Dance Prelude (1936).

Success in Japan

Over the course of her extensive career, Shōen received the greatest honor a Japanese painter could hope for: she became an Imperial Artist. In 1941, she was the first woman to become a member of the Imperial Art Academy.

In 1944, Shōen was the second woman in Japanese history to be hired as an official Imperial Household Artist. In 1948, a year before her death, she celebrated what would be another milestone in Japanese art history: she became the first woman to win the Order of Culture.

'Yang gui fei' (1922).
'Yang gui fei' (1922).
'Fragrance of Spring'
'Fragrance of Spring'

Had you already heard of this artist? What do you think of her work? Share your thoughts in the comments below. Be sure to check out all the painting courses available on Domestika here.

English version by @eloiseedgington.

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