El Convento
by Jesús Granada @jesusgranada
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El Convento.
Espacio de creación en Badajoz, obra de los arquitectos Begoña Galeano y Julián Prieto.
El reportaje presentaba dos dificultades principales: una la extrema distancia entre las luces y los materiales ocuaros y otra la morfología caótica de la obra, que no permitía proponer una estructura narrativa clara.
Trabajé con cámara étnica Linhof 679cs, sobre respaldo Haselblad CF-39 y las ópticas 24 -35 y 47 mm de Rodenstock. El trabajo completo lo componen 48 fotografías.
5 comments
pcastrobarba
Hello, I am impressed by how well the situation is resolved, sensing the strong light that exists.
I am going to do the course that has come to me today. We will be in touch, Jesus. A greeting.
Pablo.
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jesusgranada
Teacher PlusHi, Pablo. Thanks for the comment.
I think there is a great shared responsibility between my endorsement CCD (Hasselblad Cf-39) and Maria, the "boss" of my post-production studio. It is evident that without an original with possibilities, we would have had to resort to HDR, a technique from which we have not yet obtained results that convince us. The 'raw' was rendered in Lightroom, but now we are also with Capture One on the benchmark and we are solving extreme light scenes with amazing results.
I hope the course serves you.
A greeting.
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pcastrobarba
Hello Jesus ... it is helping me ... at least not to make certain mistakes again in this type of work, which I hope I will be commissioned some again. Pity not to have a little more equipment.
Great and very excited about what I have seen, which is not even half the course.
Greetings and thank you.
P.
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Pacbar
Beautiful pictures ... as always. In addition to the narrative and the interpretation of the spaces, the images have a highly plastic composition. As for solving the high lighting contrasts with HDR ... have you tried doing it manually from several exposures? It usually gives very natural results.
Congratulations Jesus for your excellent work. I will buy the course shortly.
An affectionate greeting,
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jesusgranada
Teacher PlusWell, first of all, Pablo, I am very happy that you extract profitability from the course.
As for your suggestion pacbar2004, of course we have needed in certain projects to try to get information from several takes, but I try not to do so because of what I explained above. I am very concerned about the perception and the memory of it in the passage of time. Then the parameter to work in a highly contrasted scene or with extreme lights, will be that memory, also mixed with the overall intention of the report.
HDR is not a technique to which we have given a lot of research time in my studio and if to others that, as you say, lead the result to something natural.
There is much to investigate and learn. That is why this work is exciting.
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